viernes, octubre 23, 2015

Bowie; platónico mefístico y mickeymoúsico (que conste que mi Bowie es de 2015, antes de que el mundo empezara con sus bowiesismos maniqueos y escorbúticos)

Sweet Thing/ Candidate/ Sweet Thing
I'd failed to obtain the theatrical rights from George Orwell's widow for the book 1984 and having written three or more songs for it already, I did a fast about-face and recobbled the idea into Diamond Dogs: teen punks on rusty skates living on the roofs of the dystopian Hunger City; a post-apocalyptic landscape.
A centrepiece for this would-be stage production was to be Sweet Thing/Candidate/Sweet Thing, which I wrote using William Burroughs's cut-up method.
You write down a paragraph or two describing several different subjects creating a kind of story ingredients-list, I suppose, and then cut the sentences into four or five-word sections; mix 'em up and reconnect them.
You can get some pretty interesting idea combinations like this. You can use them as is or, if you have a craven need to not lose control, bounce off these ideas and write whole new sections.

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